Saturday, March 24, 2007

Book reviews from winter reading

I am reading a lot at the moment, having rediscovered the joys of the library in an attempt to encourage Kitty to read. However, she seems to be getting books from school, so mine are going by the wayside.

Having said that, she doesn’t think much of the books from school. One would think being in a position to allows you to force a teenager to read, i.e. a teacher, you would give them something GOOD to read.

The library on the other hand, is full of great books and even better librarians who treat every teenager in there as if they are made of solid gold. Consequently, the young adult section is full of them reading and watching movies and working on the computer.

However this is Boooorrrrinnnggg…. Apparently.

How do you get a child to read? There’s the question for today…

Anyways, this girl, who didn’t want to do anything else but read when she was young, presents this lot for your review. Here’s the scoring system.

A+ = glad I read this book. You should read it. The world is a better place for the presence of this book.
A = interesting in terms of subject matter or style. Glad I read it for that reason, but not really adding to my understanding of my reason for existence.
Ho hum = self-explanatory
UNCSYWYLRTB = under no circumstances should you waste your life reading this book.

I’m going to put the score in before I review the book and then see if I remember it right by reviewing the book. If I’m wrong I’ll rescore it.

Animal Dreams
Barbara Kingsolver
A


Codi Noline returns to her Arizona home town to keep an eye on her father, who has early stage Alzheimer’s. She works as a biology teacher even though she is a doctor like him. Her altogether more together sister Hallie is in Nicaragua working with peasant farmers to increase their yield organically, despite the Contras attempts to stop her. As Codi falls in love with Navajo local, Loyd Peregrina and begins to enjoy teaching, can her rubbish self-esteem or other circumstances in her life and past hijack her new-found happiness?

As with all Kingsolver novels, the themes are environmental issues and filial responsibility. She writes novels about having to start being a grown up in your early thirties, about how crap it feels to have to fulfil family and societal duties, and each one of her novels put forward the premise that, at the end of the day, building a strong family and caring for the environment are the only worthy concerns.

Reading a Kingsolver novel when you are feeling crap about being a selfish thirty-something in the dark corners of your soul is a double-edged sword. On the one hand, you don’t feel so goddamn alone and that takes the edge off the selfishness. Which is not such a good thing when you’re supposed to be trying to eliminate it. On the other hand, you get to the end of the novel and think, mweh… the alternative sounded pretty cool.

So why do I keep reading them? Well, firstly, they’re pretty goddamned popular. Lots of copies in the library, and I like to keep up with the Oprah book club types. Secondly, I like writers who write from their place in the world as much as I like those who concentrate on the art of writing or imagining. And unlike many female literary types (as opposed to chick lit), Kingsolver is a good writer who always throws in a couple of interesting side issues and teaches you a lot. This novel focuses on the Pueblo people of Arizona and New Mexico, their art and the amazing pueblo cities they built and still live in. Sounds like Arizona would be a good holiday trip someday.

Be Cool
Elmore Leonard
UNCSYWYLRTB


I do not get the point of Elmore Leonard. Also, I can’t read his novels now without thinking of John Travolta. And since Chili Palmer has a lot of sex in this novel, I found it quite off-putting.

In this novel, Chili Palmer (hero of movie Get Shorty) is thinking about doing the third instalment in his three movie deal, and like the previous two (Get Leo and Get Lost), writes the script by living it. Enter a former shylock colleague who gets topped while having lunch with Chili, some Russian mobsters, a potential Americana star from Odessa Texas, a totally corrupt music executive called Raji and his sidekick, the gay Samoan bodyguard, Eliot Wilhelm.

Much mayhem ensues, Chili dabbles in the music industry, despite nearly being thrown out a window by the Samoan he wins out in the end and the new movie goes into pre-production.

Boring drivel.

The Dead of Winter
Lisa Appignanesi
Can’t remember a thing about this book, but it is on my bookshelf so I must have read it.


The Globe and Mail said this was a cleverly conceived plot about the strange and terrifying power of love. Now that I read the back cover I remember: this is a crime novel set in Montreal and rural Quebec. Rural Quebec is this year’s planned road trip, so I think that’s probably why I bought it.

Madeleine Blais and Pierre Rousseau are childhood sweethearts from rural Quebec. Madeleine becomes a famous movie star and dumps lawyer Rousseau heartlessly. A couple of Christmases later, she turns up hanging in her grandmother’s barn. The police decide it’s suicide and close the case, but Pierre knows it’s murder because she had called him just beforehand. That must be how you know, then.

Pierre’s investigations in Montreal get the killer on his tail and the usual mayhem ensues before the plot is satisfactorily resolved.

Ho hum, although there are two satisfying twists to the tale that I only saw coming about half a mile off.

The Island Walkers
John Bemrose
A+ (but I’m not sure why).


This is a debut novel that got nominated for the Giller, Canada’s big literary prize, a year or two ago. Set in south-western Ontario, it charts the decline of an industrial town called Attawan through the eyes of a young man Joe Walker, whose father Alf gets involved with labour agitators who are trying to organise the town’s textile plant workers.

The labour agitator is an Irish guy called Doyle, which is a nod to the fact that many Canadian union activists and organisers of the fifties and sixties were in fact Irish immigrants. Pity they never get any credit for what they did at home in Ireland. Better keep that for the Democrats in the States, I suppose!

The town is bisected physically and class wise by a river, and it is on its edge that most of the action takes place, from the teenage couplings and rivalries described in the early part of the novel, to clandestine union activity. The mill is taken over by a Montreal company who bring in the usual productivity changes (ie redundancies), and try to root out any attempts to organise the workers by buying off their natural leader, Alf Walker, with a supervisory position.
Alf married above him (an Englishwoman he met during the war) and finds himself caught between his principles and her desire to move up a class in the town.

The portrait of Alf is very compelling, of Joe less so. I found myself seeing my father in Alf’s struggle, which is strange, as they are not alike really.

Alf’s desire to provide for his family leads him to an act which may or may not betray his comrades and lead to the death of a friend. The author switches viewpoint from Joe to Alf for this part of the novel, and Alf’s struggle with his guilt is the best third of the novel.

The first two thirds, which focus mostly on Joe’s perception of the town and his family and developing the movement of the story, are a little laboured. I never got into Joe’s skin, or developed much empathy for him. The whole plot could have done with a bit of a cull.

However, Alf and his co-workers and union buddies are very well drawn. They were all from the same ‘character group’ though, if you know what I mean. Bemrose needs to work on his range. If he can pull a group of diverse well-drawn characters together for his next novel, and go easier on the water imagery, then he’ll have a cracker on his hands.

I’m downgrading this to an A for Alf. Good starter novel though!!

The Secret River
Kate Grenville
A


Speaking of dads, mine gave me this over Christmas. Dads are generally very predictable, aren’t they? The Queen Dad usually gives me novels about a) Australia or Southern Africa, which are b) rural in setting, c) mostly historical or set in the recent past, rarely contemporary, and d) thematically, generally involve some discussion of how the principal European colonial powers messed up the rest of the planet for everyone who happened to be there first.

Sure enough, The Secret River is mostly set in colonial Australia, circa the turn of the nineteenth century, and involves transportation and other colonial outrages. This one has lots of boats, though, which gave it an additional kick of interest.

William Thornhill is a happily married waterman on the River Thames, who gets into a spot of bother due to the big freeze of 1806, steals some lumber, gets caught doing it and is sent to Australia.

Thornhill uses his waterlore to throw off the yoke of servitude, buying a sloop to bring supplies upriver to the early settlers. Eventually he makes enough money to buy his own land, which he settles with his family (who chose to be transported with him).

Trouble is, his land is sacred to the local Aboriginals.

Thornhill’s intuitive response is to try to manage the conflict and build a dialogue with the locals. Unfortunately, not all the settlers agree, and their views push him into an unfortunate choice when the conflict reaches a head.

The initial part, set in London, is an excellent description of the watermen of the Thames, not a subject of which I knew anything. And the descriptions of the Australian outback are so vivid that I felt I was there without ever having visited Australia.

Brilliant characterisation and unfolding of the eventual conflict between Aboriginals and settlers. With lots of sloops. Excellent read. Particularly if you like boats.

The Pick Up
Nadine Gordimer
A+


Because of the Queen Dad (see previous review), I have a deep interest in South African and Australian writing. Nadine Gordimer is my second favourite SA writer, after JM Coetzee who is the MASTER of contemporary, post-conflict literature (better even than our own Ronan Bennett) and who consequently should be read in detail by everyone on the planet.
Coetzee has a dark emptiness inside his stories that is so terrifying and bleak, I can’t figure how he controls it enough to write sentences, never mind complex, demanding novels. Sort of like Murakami, or Pamuk, but with a Western European sensibility.

Anyway, enough about Coetzee.

I got The Pickup in the library and have sent it back, so consequently I won’t be able to remember any of the characters names. I never can. But the book is about a rich South African white woman who falls in love with an illegal Muslim immigrant from an unnamed African country (Saharan though), and who accompanies him back to his village as his wife when he gets deported.

I thought about this book for a long time after I finished it. Unfortunately, I can’t tell you why I did without spoiling the ending.

Spoilers Spoilers Spoilers Spoilers Spoilers Spoilers Spoilers

When they get back to the unnamed country, the SA woman has to live in the family home with him, in a village on the edge of the desert. She falls in love with the desert and the lifestyle, and begins to think how they could develop wealth in the town with her trust fund. Hubbie meanwhile puts the kaibosh on that, as he spends all his time trying to get a visa to somewhere else.

Finally, he gets a green card and celebrates a chance to make it in the States. Only thing, she’ll have to live with her ditsy mother in California while he drudges in Chicago, as he’s not going to expose her to the seaminess of being an immigrant to the States. She hates her mother, so on the day before they leave, she announces that she’s staying with his family. He is astounded and furious, but leaves without her.

The end.

The dichotomy between her need to escape the capitalist wealthy countries of which she’s a privileged member, and his fierce desire to get into any of them is one I had never thought of before. Gordimer highlights this beautifully in the context of an unlikely love story.

The Wildfire Season
Andrew Pyper
A


“Ross River is a town clinging to the outside world at the end of the Yukon’s loneliest road. It is also the hiding place of Miles McEwan, the town’s hard-drinking, fist-fighting fire chief. But the slow burn of Miles’ self-imposed exile is about to explode.”

That’s the blurb on the back. This book is great for three reasons:

1 – it deals with bush fires, and the people who start them. A large part of the novel deals with the crew that fight this fire and the investigation into how it started.

2 – one of the principal characters is a total mother-fucker of a she Grizzlie. I dreamt about her for nights afterwards.

3 – one of the other characters is a watcher – sits in a big tower for months on end, spotting fires. Currently that is my ambition in life.

A rip-roaring read, excuse the pun. People who know tell me it’s exactly what the Yukon is like. Next year’s road trip maybe. Pyper has two other novels, Lost Girls, and The Trade Mission, which got excellent reviews too.

Special Topics in Calamity Physics
Marissa Pessl
UNCSYWYLRTB!!

“Beneath the foam of this exuberant debut is a dark, strong drink” – Jonathan Franzen. Yeah, well you’d know all about foam, Jonathan!

Some nice person bought me this for Christmas, and I can’t remember who because I opened my presents when I was a bit drunk on Christmas Eve and forgot to write the name of the gifter on the novel, which is how I normally remember. So apologies if the gifter reads this. The book itself is a beautifully presented hard-backed edition so I will treasure it for that reason, but ...

... what a (huge) pile of annoying shite.

Dazzling debut my arse! This girl has been writing this novel since forever. Every book she ever read is in here somewhere, the whole enterprise feels like a series of book reports, book-ended by her diary entries about the teacher she had a crush on.

Plot in brief: Precocious grade 12er with handsome witty academic dad moves to new private school and meets astoundingly charismatic teacher who has select group of cool students round for supper every Sunday. Precocious girl tries to get in with the ‘in’ crowd. Weird, murder-related stuff happens, with completely OTT ending involving the Minute Men. Sound vaguely familiar in parts to anyone who has ever read the Secret History?

Ms Pessl says in the afterword (when did they become de riguer) that she thanks ‘my amazing husband Nic, my Clyde, who graciously watches his wife disappear alone into a dark room with her computer for ten or twelve hours at a time and asks no questions’.

I don’t think Nic is the one needs to be asking the questions love, if you don’t mind me saying. What is Nic doing while you’re in the dark room, eh?

And by the way, if you arrange your chapters as Core Curriculum (Required Reading), with such chapter titles as A Portrait of the Artist as a Young Man, or Madame Bovary, would it be too much to ask that there be a CONNECTION between the chapter title and the content?

I present my case on this novel with a random excerpt:

“When I’d raised my hand in AP English to answer Ms Simpson’s question regarding Primary Themes in Invisible Man (Elison 1952) (which turned up on Summer reading lists with the regularity of corruption in Cameroon), incredibly, I wasn’t Quite fast enough; another kid, Radley Clifton, pudgy, with an eroded chin (BTW - That novel that E. Annie Proulx wrote about a guy, pudgy, with an eroded chin, i.e. The Shipping News, was very popular and often re-read by people, by the way, so you should probably think twice about ripping off lines from it again, Missy!), already had his fat hand in the air. While his answer wasn’t brilliant or inspired, it also wasn’t crude or Calibanesque, and it dawned on me, as Ms. Simpson handed out a nineteen page syllabus only covering Fall Term, perhaps St. Gallwey wouldn’t be such Child’s Play, such Easy Victory.

Sigh. Five hundred and four pages of this shite. With drawings.

You’ll be glad to hear that Radley beat her to valedictorian. Naturally, there were extenuating circumstances, of the kind you’d find in that US magazine that keeps track of UFO sightings and Elvis and such like.

UTTER SHITE.

2 comments:

Andrew Farrell said...

I do sometimes use my xmo presents as test beds for what I have heard of but haven't actually read myself. Sorry missus, it was that or get you another Jasper Fforde book!

LukeM said...

I like Elmore Leonard, he's got a bone dry wit and an angle on modern life that can be quite subtle. Also, his ten rules of writings are great - http://www.mysteryinkonline.com/2004/11/10_rules_for_wr.html